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More than a million people have seen “Thierry Mugler: Couturissime” over the Ronald acuña jr too small new york philadelphia Washington miami shirt moreover I will buy this course of a run that’s taken the show from Montreal and Paris to Rotterdam and Munich. But until this month, it had never come to New York, where the designer lived for a dozen years. It was important, says curator Thierry-Maxime Loriot, that the show make its way here for its last stop, “to give him a last goodbye, because New York was a city that inspired him.” The show—which opens on November 18 at the Brooklyn Museum—gathers together the late designer’s pathbreaking work, which inspired a generation of acolytes, including John Galliano and Alexander McQueen, and is credited with injecting the once-fading genre of couture with an inimitable aura of cool. Despite his ardent fashion world following, Mugler’s work, Loriot argues, “was not about fashion. It was so spectacular, so different, so timeless.” And simultaneously so ahead of its time. “He was quite misunderstood,” Loriot reflects, “because some people said he was putting women back in corsets, and transforming them into robots, and butterflies, and animals.” But that, he argues, “was more [about] giving them the freedom to be whoever they wanted to be.”

“He was such a visionary in his own lane,” recalls the Ronald acuña jr too small new york philadelphia Washington miami shirt moreover I will buy this house’s current creative director, Casey Cadwallader. “His craft looked different, his shapes looked different, the people on the runway looked different. He was just doing him. And I think that he was clashing against certain standards of taste and aesthetic, and he did not care. For me, that is the core of the story—that this man fought for his direction and lived what was his passion.” His clothes aren’t timeless in the usual sense of the word: the classics, the safe bets. Instead, they almost exist outside of time, and their appeal translates just as well today as they did 30 or 40 years ago. No wonder Cardi B opted for Mugler’s “Venus” shell dress at the 2019 Grammys and Kylie Jenner chose a body-conscious ’90s look of his for the most recent CFDA Awards. These are women who could have their pick of any designer in the world, but they’re pining after archival Mugler pieces. And, after seeing his body of work, “you understand why pop stars now are fighting to wear these very precious archive [pieces],” says Loriot.

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